

Mautern, June 2022
Dürnstein, Kanzel, November 2016
Aggstein, December 2015
Rauchdampfnebel
Dürnstein, April 2016
Dürnstein, March 2017
A temptation that I sometimes succumb to is to add drama to a picture. Thereby I do not perceive my interventions as manipulative, avoiding to add anything that was not designed. By increasing the contrasts, for example, I make structures visible that, from my humble perception, define the essence (of the landscape, the person, the things). My goal is the balanced, harmonious picture. Probably sometimes I go too far in the sense of trying to touch as much as possible, to make what I perceive as “understandable” as possible.
(May 2021)
Vogelbergsteig bei Dürnstein, April 2017
Tischwand bei Aggstein, December 2016
Dürnstein, February 2021
Waxenberg, April 2016
Loiben, April 2017
Dürnstein, April 2017
Danube Shipping
Loiben & Mautern, July 2019
Weissenkirchen, December 2015
„If the dead end of the romantic vision is incoherence, the failure of classicism, which is the outlook I am defending, is the cliché, the ten thousandth camera-club imitation of a picture by Ansel Adams.“
Robert Adams
Dürnstein, November 2016
Loiben, November 2020