House Hunting
Krems Lerchenfeld, January 2022

‘I take photographs of houses at night because I wonder about the families inside them,’ Hido tells me. ‘I wonder about how people live, and the act of taking that photograph is a meditation.’ House Hunting, therefore, is more question than answer. A rumination without resolution.

It would seem that in order for these pictures to exist, the photographer would need to be a voyeur, but Hido denies secrecy. He says he keeps himself obvious, even when shooting in the dark. When somebody calls the police, he is quick to make the distinction between photographer and criminal. ‘You’re allowed to take pictures in public,’ Hido says. ‘It’s interesting that so many people regard their surroundings as inherently private. Hido heightens that sense of false privacy. Amplifies it, to show the cracks in the edifices.
(Text by Katya Tylevich, www.toddhido.com)

Nightshift
Krems Lerchenfeld, January 2022

Pozzoleone, Via Vegra di Sopra, July 2021
From project In Veneto, 2021 (Sulle Tracce di Guido G.)

Here one can meditate about the omissions – the eloquence of absence – part of what Guidi has chosen to leave out. Photography is choosing. Maybe more than showing, photography is not showing.

Guido Guidi, Pozzoleone, Via Vegra di Sopra, 1985
From book In Veneto, 1985-89 (Mack 2019), Page 38

Pozzoleone, Via Vegra di Sopra, July 2021
From project In Veneto, 2021 (Sulle Tracce di Guido G.)

San Martino di Lupari, July 2021

Auf der Suche nach Guido Guidi
Bassano del Grappa, July 2021

Vienna. September 2021

Veröffentlicht am Kategorien Poemas

Vienna, September 2021

Vienna, Parallel Vienna Art Fair, September 2021

Veröffentlicht am Kategorien Street

Anne Glassner
Vienna, Parallel Vienna Art Fair, September 2021

anneglassner.at

Veröffentlicht am Kategorien Menschen

(Golden) Waxenberg Variations
Göttweig, December 2018

Veröffentlicht am Kategorien Poemas

Dürnstein, July 2019

Eggenburg, April 2007